The study entitled "Reception of the Qur'an in the Music Album Kado Muhammad Kiai Kanjeng" looks at how the Qur'an is accepted and interpreted in the lyrics of songs from the Muhammad Gift Album, performed by the Kiai Kanjeng music group. The main purpose of this study is to find out how the messages of the Qur'an are portrayed in the songs of the album, as well as how people receive and interpret these messages, and what the values of Qur'anic verses contained in the music album "Kado Muhammad" from Kiai Kanjeng. Descriptive-explanatory methods are used to collect data through documentation, and literature review. The song lyrics from the Kado Muhammad Album are the primary data of this study, and the secondary data is obtained from various relevant literature. Each song on the album has a deep meaning and is related to the message of the Qur'an, according to the study. The reception theory of Robert Jauss and Wolfgang Iser is used as the main framework of analysis. Jauss's theory helps to understand the audience's "horizon of expectations" and how the values and norms they carry affect their interpretation of lyrics based on the teachings of the Qur'an. Meanwhile, Iser's theory provides insight into the active role of listeners in shaping the meaning of the text through the process of filling in the "space" in the lyrics of the song. The results of the study show that the lyrics in this album not only convey moral and spiritual messages but also function as a medium of reflection for listeners. The attitude is described in the song "Tak Sudah-Sudah" The song "Tak Sudah-Sudah" describes the arrogant attitude of human beings who often violate oaths even though they swear in the name of the holy book, which is associated with QS. Luqman: 18 about the prohibition of being arrogant and haughty. The Qur'anic elements presented in the lyrics of the song can invite the audience to reflect on their lives, evaluate their spiritual values, and deepen their understanding of Islamic teachings. The messages of the Qur'an are conveyed aesthetically and can be accepted by various communities through the album Kado Muhammad by Kiai Kanjeng. In addition, this research adds to research on the reception of the Qur'an in the context of culture and art and offers a new perspective on creative methods for spreading religious messages. This research is crucial to gaining a better understanding of how the art of music can be used as a communication tool to spread the values of the Qur'an. It will also help broaden cultural and artistic perspectives on Qur'anic interpretation.